Norman Spencer
The Neighborhood: A Collage of Facades

High Low Gallery

Artist Reception: May 2nd
Hours: Friday 5 PM – 7 PM

Exhibition Dates: April 18 – July 13
Gallery Hours: Everyday 8 AM – 4 PM


“The Neighborhood: A Collage of Facades” is part of our 2024-2025 series of juried exhibitions. Exhibition hours at the High Low Gallery. Gallery hours are 8 AM – 4 PM every day.


The Neighborhood: A Collage of Facades
By Norman Spencer

This exhibition is an exploration of the neighborhoods that unfold behind the facades of homes across our neighborhoods in St. Louis. This exhibition is born from my experience of creating house commissions across St. Louis and hearing hundreds of stories about the lives lived in these neighborhoods. Through these collages and sculptures, I aim to highlight the connections that bind our communities together – interconnections that often go unnoticed or unappreciated in daily life. In creating this, I drew inspiration from my experiences over the last four years creating commissioned artwork for houses in various neighborhoods in St. Louis and listening to the countless stories that reveal the rich, complex lives lived within these walls as well as my experience growing up in Louisville, KY.

The Old Louisville neighborhood in my hometown is the largest contiguous collection of Victorian mansions in the United States. While many of the homes have been turned into apartments and multi-family homes over the years, some remain as single-family mansions. Living there, I was enamored with the architecture, the small unique details of each home, the chromatic colors, and the effortless way that millionaires, students, and low-income families could live together seamlessly. I started making prints of these homes as a hobby in college, to commemorate my favorite homes that I lived in, visited, or walked by every day. As my artistic practice grew, I began doing house portrait commissions for people in the neighborhood. With these commissions, I would hear the stories of the homes, getting a glimpse – beyond their facades – at how the homes shaped peoples’ lives and vice versa.

When my wife and I moved to Saint Louis, I was overwhelmed by the size of the city and how unfamiliar yet vaguely familiar it felt. Despite the similarities that can be found between the cities, I initially had a hard time navigating the area and often found myself lost, unable to differentiate one neighborhood from the next. To ground myself in my new home, I decided to continue my practice of offering house portrait block prints and use it as a way to get to know my new city and the neighborhoods that make up St. Louis. Four years later, I have completed hundreds of house commissions for residents all over the city and felt my roots here deepen with each story I hear and each home I carve and print. 

Through this exhibition, I hope to highlight the interconnectedness of our neighborhoods and the city as a whole. Each neighborhood, though distinct, is a vital part of a larger ecosystem dependent on its neighbors to thrive or falter. The juxtaposition of different aspects of houses, materials, and textures in my work reflects this dynamic, illustrating how the stories and lives of those who inhabit these spaces are intricately woven into the fabric of the city itself and highlighting how much deeper we all are than the facades we live behind. These collages and sculptures, in their layered complexity, mirror this relationship, inviting the viewer to look beyond the surface.


ARTIST BIO

Norman Spencer was born and raised on the Ohio River in Louisville, Kentucky. He is a visual artist working primarily in printmaking and currently lives in the Fox Park neighborhood in Saint Louis, Missouri. Norman’s work depicts and is inspired by human-environmental interactions, nature, identity, and community.

Norman received a Bachelor of Science in Biology from the University of Louisville. He used printmaking during his studies to unwind and connect with his creative side. He is a 2024 Kranzberg artist in residence and has held residencies in institutions including Bernheim Arboretum, The Louisville Public Library, etc. He has received several awards, including an RAC grant, a Future Funds Grant, and a Black Artist Fund Grant. His work has been featured in exhibitions in various galleries, the Kentucky Museum of Arts and Crafts, and the Roots 101 Museum of African American History. Norman has
also taught printmaking workshops for the Speed Art Museum, multiple public libraries, and the Missouri Botanical Gardens. His work can be found in shops and galleries in Saint Louis, such as Union Studio Urban Matter, as well as at his weekly booth at the Tower Grove Farmers Market on Saturdays.