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Tag Archives: Circus Flora

11 Jan 2021

Thousands of St. Louisans have enjoyed Circus Flora’s world-class productions annually for over 30 years. However, the end of the circus season does not mean the clowning around is over.

Offering healing through humor since 2012, Clowns on Call is Circus Flora’s program that ensures young patients at SSM Health Cardinal Glennon Children’s Hospital receive a healthy dosage of laughter as often as possible.

Yet with the onset of the pandemic, physicians of fun Dr. Pepper, Dr. Too-Me, and Dr. Celia have had to adapt to the cyber realm to maintain a connection with and provide a distraction for hospitalized children of all ages when they need it most.

Clown Doctors Too-Me, Celia, and Pepper are Circus Flora’s Clowns on Call.

Without her red nose, Dr. Pepper is Audrey Crabtree, professional performer and coordinator of the program. “This is all new territory,” she said referring to their digital approach. 

Before the pandemic, the Clown Doctors visited a few times per week. But since their virtual return in September 2020, they have to make the most out of a one-time weekly check-up via Zoom video calls.

“It’s a little bit of a learning curve but they’re ecstatic to be back,” Circus Flora’s Managing Director Karen Shoulders said.

Dr. Pepper and her comedic accomplices meet their patients on an iPad that on-site child life specialists carry from room to room — after sanitation, of course. Whether they are miming fetch with a ball that is imaginarily thrown through the video or juggling props between one Zoom window to another, Crabtree said, “We’re having fun finding creativity within the confinement of the screen.”

Regardless of the way they connect, Crabtree emphasized that the Clown Doctors are best friends with the children during their time together. 

“In the moments we see them, we are always on their team; we always follow their lead,” Crabtree said. “If they’re in a sad mood and want to stay there, we’ll go there too … We just try to engage with them wherever they are and just make a real connection as much as we can. We all need that.”

The fun and games prove to be beneficial for not only the patients, but also the hospital workers, family members, and the Clown Doctors themselves.

“I do different kinds of theatre work and performance, but this hospital clowning is the very best thing I’ve ever done. Big audiences and huge crowds do not compare to this one-on-one engagement,” Crabtree reflected.

Unlike any program in the bi-state region, Clowns on Call features experienced and professional performing artists skilled in a wide variety of genres including clowning, music, juggling, magic, improvisation, puppeteering, dance, and slapstick. “It’s not just a volunteer putting on a nose,” Shoulders said.

Crabtree elaborated by adding, “We have ongoing training and rehearsals, and we’re a part of a national organization that has standards. It’s serious work to make it possible to play in a healing way.”

While the Clown Doctors have found a way to continue making their rounds through Cardinal Glennon, they hope to spread contagious laughter to more patients across the region. “There are other institutions that we could be working with, but we just don’t have the funding,” Crabtree said.

Visit circusflora.org/beyond-the-big-top/clowns-on-call to learn more about how you can support or partner with Clowns on Call.

28 May 2020

“You’re going to have to bring your own popcorn for this one!”

Reimagining what it looks like to connect with the community this year, Kranzberg Arts Foundation resident organization Circus Flora is planning to debut its Virtual Showcase on its website at 7 pm on Thursday, June 4 — the original opening night of their 34th season that has been postponed until 2021.

“There’s really no way to recreate a full-blown Circus Flora production, but we thought we’d do things a little differently,” said Managing Director Karen Shoulders.

Similar to a typical Circus Flora show, viewers can expect to see a variety of acts by performers from all over the world. Also a part of the digital experience this year will be music, guest appearances, and behind-the-scenes footage.

“The Daring Horseman, Caleb … he is practicing and has a new horse and is going to show us what he’s up to,” Shoulders said.

Without giving too much away, another performer Shoulders said viewers can look forward to is Adam Kuchler, a juggler and physical comedian who appeared as the Bellhop in the company’s 2018 production.

“It’s kind of nice to see from your home what our performers are doing,” Shoulders said. “They’re from all over the place, and we can still kind of be together and still experience the same kind of intimacy that Circus Flora is known for — but just in a different format this time around.”

Although we aren’t gathering under The Big Top this summer, Circus Flora’s Virtual Showcase is a modern example of how the community can continue to connect and engage with performing arts.

“This isn’t our first trial and tribulation,” Shoulders said. “There have been many things in our history that have proved to be challenging … but we go on with the show.”

21 May 2020

The St. Louis arts community, including several Kranzberg Arts Foundation resident organizations, will come together for a free virtual benefit to support local artists on Sunday, May 31.

In partnership with Opera Theatre of Saint Louis (OTSL) and the Regional Arts Commission (RAC), more than a dozen local arts organizations will be featured during the Arts United STL live stream to support the RAC Artist Relief Fund.

While OTSL continues to encourage the St. Louis arts community to get involved, the current roster of performers includes the following Kranzberg Arts Foundation residents: The Big Muddy Dance Company, Circus Flora, Metro Theater Company, Saint Louis Ballet, St. Louis Shakespeare Festival, and Tennessee Williams Festival St. Louis.

In the age of coronavirus, where artists are compelled to create in front of screens for an audience on the other side of the virtual platform, human connection is much sought after. For St. Louis arts companies like Tennessee Williams Festival St. Louis, this theme resonates with their work.

A Lovely Sunday for Creve Couer, 2019
“A Lovely Sunday for Creve Couer” presented by Tennessee Williams Festival St. Louis, 2019, image by ProPhotoSTL

“Tennessee Williams’ beautifully poetic work expresses his longing for kindness and for human connection. That is what we all need now, more than ever,” said Carrie Houk, Executive Artistic Director of Tennessee Williams Festival St. Louis. 

Previewing what the audience should expect from their performance, Houk explained, “In our segment, Anita Jackson plays the Williams character Bertha, singing of her desire to be reunited with her love and to take him to Paradise.”

Presenting work based on similar motifs, Metro Theater Company will share an excerpt from a script in development, inspired by submissions from the company’s COVID-19 Memory Project.

"GHOST" presented by Metro Theater Company, 2020
“GHOST” presented by Metro Theater Company, 2020, photo by Jennifer A. Lin

“The four interlocking monologues will be accompanied by an original score by Syrhea Conaway,” said Joe Gfaller, managing director for Metro Theater Company. “Through this performance – and by holding a mirror to the lived experiences of young people in our region as they and their families face COVID-19, MTC continues to serve its purpose to bridge communities, to build empathy, and to create a world in which the emotional wisdom of young people can help us all ensure a stronger future for St. Louis.”

Watch live Sunday, May 31, at 7 pm at ExperienceOpera.org/ArtsUnited or on Facebook via Higher Education Channel TV (HEC-TV).