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Tag Archives: Ashleyliane Dance Company

29 Jun 2020

Pride Month as we know it spawned from the violent riots at Stonewall Inn, in New York City, in 1969. Black queer folks including Stormé DeLarverie and Marsha P. Johnson were instrumental in this demonstration for LGBTQ rights. 

“No pride for some of us without liberation for all of us.” This quote by artist Michah Bazant who included it on a portrait of Johnson resonates boldly today as we continue to work toward dismantling systematic oppression in all its forms.

We asked our Kranzberg Arts Foundation family, “What does Pride mean to you this year?” Here are some of the responses we gathered.


Matthew Kerns of St Lou Fringe and his husband with marriage license
Matthew Kerns of St Lou Fringe and his husband with their marriage license

“I came out of the closet in my early 20’s during the mid-’90s. When I came out I vowed to never go back in; not for a relationship, job, or any reason whatsoever. It has been a long road filled with daily battles for equality… every battle has been totally worth it.

“I live in a state that hates me. It fought against my right to live as an out and proud homosexual man, marry my husband, adopt a child, and even still to this day allowed others to discriminate against me in my workplace. 

“If there is a right for a straight man in Missouri the state government will actively and openly work to keep that same right away from a gay man.

“Missouri may hate the LGBTQIA+ community, but Lady Liberty loves us and she proved again [this month] that love always conquers hate.”

#LoveWins

 -Matthew Kerns, Executive Producing Director for St Lou Fringe


“Pride is canceled.

“I’m thinking about Rem’mie Fells, Riah Milton, Nina Pop, Tony McDade, Kiwi Herring, & way too many other Black trans folx murdered at the hands of state-sponsored violence, white supremacy, transphobia, & other systemic oppression. I’m thinking about all of the Indigenous trans & two-spirit folx who are murdered and missing, whose stories are usually erased and unheard under the same violent systems of power that are taking their lives. And how none of them get to live to celebrate their queerness, their joy, their magic, their fierceness, their aliveness.

“As a queer mixed-race east Asian femme artist, this time for me is another reminder of how acutely I (& we, but to speak for myself) need to continue to examine and use my roles, my art, and my relationships to power, privilege, and oppression to co-shape the reality many of us want to see. One that centers Black and Indigenous liberation & life & pleasure & creativity & wellness & leadership — especially that of Black & Indigenous trans womxn & two-spirit folx & non-binary folx & queer folx.

“To me, that’s a kind of pride to celebrate.” 

-Erika Harano, company artist + educator for Consuming Kinetics Dance Company


“These are celebrations [Juneteeth and Pride] of our human rights. What we do now and from now on will contribute to the changes we need for our future, for equal rights, and for equal treatment as a human race.” 

-Dawn Karlovsky, Founder and Artistic Director, Karlovsky & Company Dance


“For me, PRIDE is about celebrating diversity, inclusion, and the LGBTQIA+ community. It is a time to actively promote one’s self-affirmation and for everyone to reflect on the true meaning of acceptance and love for all of humanity.”  

-Ashley Tate, Artistic and Executive Director, Ashleyliane Dance Company


“I salute Pride Month. I honor my LGBTQ colleagues in the Arts. And I’m so happy about this [month’s] landmark Supreme Court decision, making this month, perhaps, the most significant Pride Month ever.

“And I salute all my fellow humans, of whatever stripe, who are carrying on through the challenges of our time to lead us to a brighter future for all.”

-Joe Hanrahan, Co-founder and Artistic Director, The Midnight Company 


“It’s fitting then that Juneteenth and Pride are celebrated in the same month. Both groups have endured struggle, hardship, and inequality, fighting tooth and nail for every inch of acceptance within the majority culture. Black and LGBTQIA communities have much to celebrate, but their celebration is bittersweet, not just this year but every year. The fact that these two groups share celebratory space isn’t all that weird when we consider how inequality and injustice found in American society are often interconnected by systems, institutions, and individuals. 

Quote by James Baldwin, Art by Megan Kenyon
Quote by James Baldwin, Art by Megan Kenyon

“One of my favorite Black authors also happened to be a Gay man; James Baldwin. He is the originator of the quote in the illustration. He reminds us that our character, integrity, leadership, love, is determined by how we treat those who have been pushed to the bottom, denied their full expression of humanity, left to be forgotten. 

“Celebration, with its twin sides of lamentation and joy, helps us to combat this desire to forget people not like us. It helps us see the other as just as human as us, full of the same emotions of joy and sorrow, fear and courage, hope, and despair. I hope [this] month gives you an opportunity to learn about the many beautiful aspects of Black and LGBTQIA culture, why they are worth celebrating, and that you not shy away from the sorrowful bits, but instead learn to sit with others in both their grief and their joy. 

“We can never be the America we say we want to be if we do not learn how to love our neighbor as fully human, worth of dignity and justice, and worthy of our care and concern, regardless of color, nationality, orientation, gender, age, ability, religion, political affiliation, class, and any other distinction we could put out there. “

 -Megan Kenyon, 2020 visual art exhibitor

*This is an excerpt from a longer essay on the topic of Juneteenth and Pride written by Kenyon. Read the full essay here.*


“It’s so important to celebrate and support each other – all of us, no matter how we look or identify, are loved and important. One Love.” 

-Janet Evra, 2019-20 music artist in residence

19 Jun 2020

This year, Juneteeth comes amid a global pandemic and an invigorated movement against police brutality and racism. While the day commemorates the emancipation of the last enslaved people in the Confederacy, specifically in Texas, the ancestors of those who were enslaved are still fighting for liberation as systematic oppression has not disappeared, but merely transformed and has become more insidious.

With this in mind, we tapped into the powerful and transformative capacity of the arts to share the voices of our resident artists and organizations. 

We asked our Kranzberg Arts Foundation family, “What does Juneteenth mean to you this year?” Here are some responses we gathered …


“Juneteenth is the celebration of the liberation of Blackness.

“To me, it represents disembodying white supremacy in all forms so that Black people have the freedom to just be.

“I hope one day Black lives and bodies gain true, tangible freedom, reparations, and justice in this country and in this city. And I hope for it soon.”

-Katarra Parson, 2019-20 music artist in residence


Ashreale McDowell, photo by David Moore, edit by Sonja Petermann
Ashreale McDowell, photo by David Moore, edit by Sonja Petermann

“As a Black woman, I am ashamed to say that I never truly understood the importance of Juneteenth and what it means for my community. It wasn’t something that was taught in the schools I attended, and it really wasn’t mentioned amongst conversations where I grew up. 

“My entire life I celebrated the fourth of July. I loved the fireworks and all of the festivities that take place during that time. In the midst of all the excitement and glamour of celebrating the fourth, I never really stopped to think about what I was truly celebrating. 

“July Fourth, America’s independence day, America’s “freedom” day. How could I have been celebrating a national holiday of independence and freedom, when in reality it wasn’t meant for me. 

“My people were not free, there was no independence for us. We are still not free. We are still living in a world of racism and social injustice. We are fighting to have the right to LIVE! I made a vow to myself and to my people, that I will no longer celebrate and participate in a holiday that was not meant for us. 

“For me this year, Juneteenth means awakening!” 

-Ashreale McDowell, Assistant Artistic and Executive Director, Consuming Kinetics Dance Company


“Juneteenth is a time to celebrate how far we as a society have come while assessing how far we still have to go. This important day still receives little attention, but I am hopeful that because of recent events that will change. 

“Juneteenth, to me, means that while this marked the end of slavery in the United States, it represents the greatness that is the African-American legacy. It represents breaking chains and breaking barriers literally and figuratively…something that I hope continues with greater acceleration.”

-Ashley Tate, Artistic and Executive Director, Ashleyliane Dance Company


Saint Louis Story Stitchers commemorated Juneteenth with the release of a new podcast episode. In Episode VII, from the StitchCast Studio, St. Louis youth discuss “Compounding Issues” during the pandemic such as health disparities, mental health, economy and unemployment, education facing St. Louis’ economically-challenged minority neighborhoods. The episode was recorded on May 26, 2020. Listen here. 

StitchCast Studio Drop June 19 from Saint Louis Story Stitchers on Vimeo.


“Growing up in Texas, I remember when Juneteenth became a state holiday in 1980. That was a long time coming. Just like the 1865 event it celebrates — the announcement in Galveston made two and a half years after Lincoln’s Emancipation Proclamation. I want to celebrate progress, but why does it always take so long to get here?” 

-Philip Boehm, Artistic Director, Upstream Theater


“I salute Juneteenth. I honor my Black colleagues in the Arts. And I’m proud of those who have taken to the streets in the last several weeks, making this Friday, perhaps, the most significant Juneteenth ever.”

-Joe Hanrahan, Co-founder and Artistic Director, The Midnight Company 

01 Aug 2019
Scene from "Salt, Root, and Roe" by Upstream Theater

The region’s small and midsize theatre and dance companies offer a wealth of options. You just need to know where to look.

By Alison Gold

“When people say, ‘Oh there’s nothing to do here in St. Louis on a Friday or Saturday night,’ I think they’re crazy,” says Joseph Novak,

After living in several places across the United States, the tech director believes St. Louis’ art scene is particularly vibrant — for those who pursue it. “I think people just aren’t looking outside their box.”

Part of the reason small and midsize arts organizations get overlooked, he believes, is that there is such a vast range of options across the region. “Because there are so many arts groups in St. Louis, I think some tend to go unseen,” he says. “A lot of people are just not aware of their works.”

Novak has worked on a wide range of shows across St. Louis, including Max & Louie Productions’ June production of Indecent, the true story of a Polish-Jewish playwright who, in 1906, pens a controversial script dealing with prostitution, homosexuality, and cultural assimilation. “I think it has a lot of social impact,” says Novak, who hopes to work on similar projects in the future. 

“I think the art scene is growing and blossoming here,” he says. “A lot of companies seem to be doing more shows, and the quality just keeps going up.”

Swimming Upstream

Upstream Theater Company is about to start its 15th season, making it one of St. Louis’ longest-running small professional theaters. In fact, Upstream is “the oldest resident company in the Kranzberg ecosystem,” says artistic director Philip Boehm. “We’ve been able to produce plays where St. Louis audiences are the first to see these international works in the United States. That wouldn’t have happened without the Kranzberg Arts Foundation.”

To date, the company has produced more than 40 plays from nearly 20 countries, the majority of which has been the United States premieres from around the globe: Australia, Argentina, Croatia, and more. The company’s goal is to “move you and move you to think.” 

This year, Upstream kicks off the season with The Agitators, the story of Susan B. Anthony and Frederick Douglass’ 45-year friendship that helped shape American society. Lisa Tejero, a Broadway veteran who’s also done work at The Rep, will direct Mat Smart’s powerful play, Sept. 27-Oct. 13.

Upstream is also expanding beyond St. Louis. This October, it will bring Salt, Root, and Roe (pictured above) — the story of a set of aging identical twins who live by the sea in Wales — to Houston. The theater company produced the U.S. premiere this past spring right here in St. Louis.

“We want audiences to think about what they see,” says Boehm. “It seems to me that theater in the United States, in general, could benefit from more international work.”

Stepping Out

photography backdrop
Ashleyliane Dance Company/photo by Peter Wochniak

Dance has been a part of Ashley Tate’s life since she was a child. “I don’t really know myself without dance,” she says. “I’m a shy person, so it’s my way of being my most expressive self.” She started out with ballet, tap, and traditional dance. Eventually, she joined the St. Louis Rams’ cheerleading squad. 

Then, in 2007, she launched her own dance company, Ashleyliane Dance Company. “I wanted to continue giving adults a place to train and dance, including those who worked full-time,” she says, noting that the company rehearses at night. The company started out dancing at festivals and fairs—“anywhere that promoted the arts.” 

Now, it spans a professional dance company, an entry program, a summer junior program, and a full drop-in class schedule. Ashleyliane produces at least two main-stage concerts per year and hosts several other events, in addition to partnering with other organizations. “I want to inspire people to know it is hard, but you can make dance a full-time career,” she says. “We’re a small but mighty organization.”

In late October, Ashleyliane will perform Phantom of the Opera while playing up masquerade themes. Then, for Valentine’s Day next February, Ashleyliane will host a hair and fashion dance show focused on the theme of love, which diverges from the typical format of a dance recital in its imitation of a fashion show.

Tate says, “We wanted something interactive and fun for the audience.”

Freedom to Flourish

Big Muddy Dance Company at The Grandel Theatre
Big Muddy Dance Company at The Grandel Theatre

After working on productions across the country, Andrew Snyder can appreciate what makes St. Louis’ art scene so special. “Everyone is here to support everyone else,” says Snyder, the lighting designer, and stage manager at The Big Muddy Dance Company. “You don’t always get that in other cities. Someone is always there to help, no questions asked.” 

On Nov. 9-10, the Inaugural Big Muddy Dance Fest will showcase all the company has to offer. Participants can enjoy classes, workshops, auditions, panel discussions, vendors, and networking with other dancers.

A few days later, on Nov. 14-15, the company will stage a Christmas Carol production — with a contemporary twist. The show will be set against live music of an original arrangement of Tchaikovsky classics, with themes of love and redemption at the forefront.

Then, early next year, Big Muddy will perform Beat Ballads, featuring the music of British composer Joby Talbot, whose work has ranged from a BBC comedy to a ballet of Alice’s Adventures in Wonderland. Moves & Grooves will follow in April and feature the sounds of Henry Saiz, an electronic music artist. The historic Grandel Theatre will play host to both shows.

As Snyder notes, Grand Center Arts District‘s artistic hub offers endless variety: “You can walk in and see anything.”